Titlebook: Asian Cultural Flows; Cultural Policies, C Nobuko Kawashima,Hye-Kyung Lee Book 2018 Springer Nature Singapore Pte Ltd. 2018 Asia.cultural i

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How Exhibitions ,: Governments, Museums, and Special Exhibitions in Taiwan culture over different periods of time. Meanwhile, I disclose how the hidden agenda of promoting Taiwan as a political sovereignty was presented alongside the various exhibitions, mainly Venice Biennials and the exhibitions organized by National Palace Museum..This chapter concludes that the privat

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Regionalization of Taiwanese Post-Confucian TV Dramas: A Case Study of Tsai Yueh-hsun’s , and earlier works were not approved by Chinese censors smoothly and relied financially on Japanese appreciation of the works. As he started making more adult-oriented dramas that engaged serious political issues, his markets multiplied. Yet these markets lacked consensual (geo-)political viewpoints; th

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Japanese and Korean Popular Culture and Identity Politics in Taiwanfluenced by Taiwan’s domestic politics, which has been polarized by two opposing nationalisms. In contrast, South Korea has been framed as Taiwan’s major economic competitor on the road to modernization. Therefore, media discourses on Japan and South Korea actually reflect Taiwan’s struggle over ide

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Book 2018al flows in contemporary Asia. In addition, the essays aim to “de-westernize” the study of cultural and creative industries, which draws predominantly on cases in the United States and Europe. The contributors focus instead on regional dynamics of the development of these industries..The popularity

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The Korean Government’s New Cultural Policy in the Age of Social Mediao export their cultural products, the rise of social media has fundamentally reshaped the nature of the . phenomenon among global fans. Many global fans consume Korean popular culture through social media such as YouTube, Facebook, and Instagram in the 2010s. While cultural policy has not solely foc

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‘Cool Japan’ and Creative Industries: An Evaluation of Economic Policies for Popular Culture Industr government has been reticent about cultural policy in general and particularly to East and Southeast Asia in post-war decades, attention has recently been given to the international popularity of Japanese popular culture such as manga and anime with policies aiming to cash in on what is named ‘Cool

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Asian and Global? Japan and Tokyo’s Cultural Branding Beyond the 2020 Olympic and Paralympic GamesIn doing so, it analyses Tokyo’s cultural branding through the lens of the “Tokyo Vision for Arts and Culture” (2015–2025), the most recent agenda unveiled by the Tokyo Metropolitan Government. Notwithstanding Tokyo Metropolitan Government’s cultural and urban branding is an ongoing endeavor, the an