Titlebook: Asian Cultural Flows; Cultural Policies, C Nobuko Kawashima,Hye-Kyung Lee Book 2018 Springer Nature Singapore Pte Ltd. 2018 Asia.cultural i

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Thai Television Dramas, a New Player in Asian Media Circulation: A Case Study of Full House Thaihe aspects of Thai culture the paper asks Vietnamese audience to reflect upon include views on gender, roles of men and women, the portrayal of social class as well as romantic love. Data presented in this paper come from textual analysis as well as in-depth interviews with 15 Vietnamese audiences.

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corporate

Jian Li,Xiaolin Lin,Zhangxing Chen government has been reticent about cultural policy in general and particularly to East and Southeast Asia in post-war decades, attention has recently been given to the international popularity of Japanese popular culture such as manga and anime with policies aiming to cash in on what is named ‘Cool

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Jérôme Bonelle,Alexandre Ern,Riccardo MilaniIn doing so, it analyses Tokyo’s cultural branding through the lens of the “Tokyo Vision for Arts and Culture” (2015–2025), the most recent agenda unveiled by the Tokyo Metropolitan Government. Notwithstanding Tokyo Metropolitan Government’s cultural and urban branding is an ongoing endeavor, the an

Indigence

Condyle

Philippe Angot,Thomas Auphan,Olivier Guèswo decades since the first blockbuster exhibition was held in 1993. Based on Appadurai’s framework of global cultural flows, I firstly provide an overview on how large-scale exhibitions were brought to Taiwan through Public-Private-Partnership. These exhibitions have developed to become smaller in s

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点燃

Marianne Bessemoulin-Chatard,Mazen Saadst part of the chapter challenges the concept of cultural and media ‘flows’, arguing that processes and technologies have probably been more instrumental in transforming the Chinese media industries. Whereas the generic term ‘flows’ applies to finished content, an increase in film co-production and

动脉

Remi Abgrall,Luca Arpaia,Mario Ricchiutoparticular, . and .. Tsai’s career has been conditioned by the globalization and regionalization of film and TV consumption and production in Taiwan. His films and TV productions are not related to Taiwan’s national politics. They are set in non-discernible, hence, denationalized urban societies. Th

Acumen

Remi Abgrall,Luca Arpaia,Mario Ricchiutothe Thai remake ., arguing that the success of . lies not only on the attractiveness of Thai actor and actress but also on the Thai-ization of Korean elements. The second part looks at the reception of Asian audience towards .. Taking the case of Vietnamese audience, the paper explores how Vietnames