Titlebook: Asian Cultural Flows; Cultural Policies, C Nobuko Kawashima,Hye-Kyung Lee Book 2018 Springer Nature Singapore Pte Ltd. 2018 Asia.cultural i

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How Exhibitions ,: Governments, Museums, and Special Exhibitions in Taiwanwo decades since the first blockbuster exhibition was held in 1993. Based on Appadurai’s framework of global cultural flows, I firstly provide an overview on how large-scale exhibitions were brought to Taiwan through Public-Private-Partnership. These exhibitions have developed to become smaller in s

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Cultural Flows and the Global Film Industry: A Comparison of Asia and Europe as Regional Culturesach country as an indication of the extent to which cultural flows of films are circulating among these countries. In contrast to other types of cultural flows, such as TV drama and music videos, cultural flows of films among countries in these regions are almost non-existent. American blockbuster f

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Cultural Exports, Creative Strategies and Collaborations in the Mainland Chinese Marketst part of the chapter challenges the concept of cultural and media ‘flows’, arguing that processes and technologies have probably been more instrumental in transforming the Chinese media industries. Whereas the generic term ‘flows’ applies to finished content, an increase in film co-production and

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Regionalization of Taiwanese Post-Confucian TV Dramas: A Case Study of Tsai Yueh-hsun’s , and particular, . and .. Tsai’s career has been conditioned by the globalization and regionalization of film and TV consumption and production in Taiwan. His films and TV productions are not related to Taiwan’s national politics. They are set in non-discernible, hence, denationalized urban societies. Th

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Thai Television Dramas, a New Player in Asian Media Circulation: A Case Study of Full House Thaithe Thai remake ., arguing that the success of . lies not only on the attractiveness of Thai actor and actress but also on the Thai-ization of Korean elements. The second part looks at the reception of Asian audience towards .. Taking the case of Vietnamese audience, the paper explores how Vietnames

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“Have You Realized This Forum Has a Lot To Do with Japan?”: Transnational , Manga Onlinen the late twentieth century, focuses on the narratives of romantic relationships between men. It is popularly known as a genre written by and for mainly heterosexual women. The instance of heterosexual women writing and reading about homosexual men has generated a great deal of fascination from gen

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