Titlebook: Asian Cultural Flows; Cultural Policies, C Nobuko Kawashima,Hye-Kyung Lee Book 2018 Springer Nature Singapore Pte Ltd. 2018 Asia.cultural i

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Ward Melis,Thomas Rey,Giovanni Samaeyinternet has closed the gap between cultures from different parts of the world to only a limited extent. At the same time, we found that artists from South Korea had the strongest presence in the South-East Asian charts, with greater cultural centrality than the US and Japan. The implications of these findings are discussed below.

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‘Cool Japan’ and Creative Industries: An Evaluation of Economic Policies for Popular Culture Industrlture industries may not have led to significant results, it has done what it could legitimately do without riding on the bandwagon of the creative industries discourse that has swept across the rest of the world. The chapter will also stress the importance of the industries to broaden their regional perspectives.

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Cultural Flows and the Global Film Industry: A Comparison of Asia and Europe as Regional Cultures audiences. Consequently, escapist American blockbusters, usually a form of science fiction, can be appreciated by regional audiences without adaptation while films from neighboring countries, dealing with personal, social and economic issues, cannot. One French film that imitated the typical American blockbuster was popular in both regions.

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Remi Abgrall,Luca Arpaia,Mario Ricchiutohe aspects of Thai culture the paper asks Vietnamese audience to reflect upon include views on gender, roles of men and women, the portrayal of social class as well as romantic love. Data presented in this paper come from textual analysis as well as in-depth interviews with 15 Vietnamese audiences.