Titlebook: Architecture and the Novel under the Italian Fascist Regime; Francesca Billiani,Laura Pennacchietti Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if ap

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Conclusion,ual chapters and shows how the arts contributed to the totalitarian project in general and to its anthropological revolution in particular. Finally, it argues for the importance of looking at the artistic and the political projects of the Ventennio as intertwined and mutually dependent.

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Book‘‘‘‘‘‘‘‘ 2019in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of

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贵族

State Art, the Novel, and Architecture: Intersections,youth culture fostered by the regime during the period of its maximum consensus amongst the Italian population (1932–1936), in particular producing a timely reflection on realism, which functioned as a theoretical foundation for the discourse on State art and also for the creation of intersections between the novel and architecture.

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Russell L. Ciochon,A. Brunetto Chiarelli1920s till the early 1940s, in political terms, by examining the ‘battles’ for hegemony over the other arts, and in aesthetic terms by giving examples of how architectural language was developed and implemented in selected landmark buildings.

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On the Tarsiiform Origins of Anthropoideaptual model. . followed in .’ footsteps with its objective of forming a ‘united aesthetic front’, and establish rationalized, functional and realist forms of art as the Fascist ‘.. While its main focus was architecture, interdisciplinary crossings were a central goal of the journal.

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On the Tarsiiform Origins of Anthropoideawe analyse four novels: ., ., . and .. In the second section we carry out an analysis of three buildings: the Santa Maria Novella railway station in Florence, the expansion of the Olivetti factory in Ivrea, and the Danteum.

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Constructing the Novel,novels and the publication of translations. Our conclusion is that the project of constructing a new Italian novel form in the context of State art was often eclipsed in popularity by foreign production.

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Fascism and Architecture,1920s till the early 1940s, in political terms, by examining the ‘battles’ for hegemony over the other arts, and in aesthetic terms by giving examples of how architectural language was developed and implemented in selected landmark buildings.