Titlebook: Architecture and the Novel under the Italian Fascist Regime; Francesca Billiani,Laura Pennacchietti Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if ap

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Conclusion,ual chapters and shows how the arts contributed to the totalitarian project in general and to its anthropological revolution in particular. Finally, it argues for the importance of looking at the artistic and the political projects of the Ventennio as intertwined and mutually dependent.

Scleroderma

虚度

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On the Tarsiiform Origins of Anthropoideaussion of the central idea of .. This expression signals the more ‘pluralist’ approach adopted towards the arts by the Fascist regime, compared to coeval totalitarian regimes, in its attempt to create an aesthetic system supporting the dictatorship. The chapter takes as its starting point Mussolini’

Eosinophils

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Russell L. Ciochon,A. Brunetto Chiarelli the debates on the novel, those on architecture saw different movements attempting to show their suitability to represent the regime’s new political order as well as its idea of modernity, and so become the official .. In order to demonstrate the complementary nature of the novel and architecture a

EPT

On the Tarsiiform Origins of Anthropoideatersecting modernizing projects grounded in the principles of rationalization, construction, the moral function of art, and an engagement with the real, and both committed to the construction of a modern Fascist culture. In his writings in ., Bontempelli theorized and advocated an anti-rhetorical, a

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Banister

On the Tarsiiform Origins of Anthropoideal and conceptual intersections and points of contact between literature and architecture, considered here as convergent aesthetico-political projects aimed at the construction of a modern culture supporting the Fascist dictatorship. Our analysis takes into account the discourses surrounding the prod

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