Titlebook: Architecture and the Novel under the Italian Fascist Regime; Francesca Billiani,Laura Pennacchietti Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if ap

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and ,: Theorizing an Interdisciplinary Aesthetic Model,ptual model. . followed in .’ footsteps with its objective of forming a ‘united aesthetic front’, and establish rationalized, functional and realist forms of art as the Fascist ‘.. While its main focus was architecture, interdisciplinary crossings were a central goal of the journal.

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Novels and Buildings,we analyse four novels: ., ., . and .. In the second section we carry out an analysis of three buildings: the Santa Maria Novella railway station in Florence, the expansion of the Olivetti factory in Ivrea, and the Danteum.

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nd its legitimation.Offers the first truly interdisciplinary.Architecture and the Novel under the Italian Fascist Regime. discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the

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https://doi.org/10.1007/978-3-642-74525-6red principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter discusses the relevant critical literature on the topic and situates the analysis against current scholarly debates.

银版照相

National Novel and New Architecture,red principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter discusses the relevant critical literature on the topic and situates the analysis against current scholarly debates.

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Russell L. Ciochon,A. Brunetto Chiarelliyouth culture fostered by the regime during the period of its maximum consensus amongst the Italian population (1932–1936), in particular producing a timely reflection on realism, which functioned as a theoretical foundation for the discourse on State art and also for the creation of intersections between the novel and architecture.

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