Titlebook: Architecture and the Novel under the Italian Fascist Regime; Francesca Billiani,Laura Pennacchietti Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if ap

候选人名单

书目名称Architecture and the Novel under the Italian Fascist Regime影响因子(影响力)




书目名称Architecture and the Novel under the Italian Fascist Regime影响因子(影响力)学科排名




书目名称Architecture and the Novel under the Italian Fascist Regime网络公开度




书目名称Architecture and the Novel under the Italian Fascist Regime网络公开度学科排名




书目名称Architecture and the Novel under the Italian Fascist Regime被引频次




书目名称Architecture and the Novel under the Italian Fascist Regime被引频次学科排名




书目名称Architecture and the Novel under the Italian Fascist Regime年度引用




书目名称Architecture and the Novel under the Italian Fascist Regime年度引用学科排名




书目名称Architecture and the Novel under the Italian Fascist Regime读者反馈




书目名称Architecture and the Novel under the Italian Fascist Regime读者反馈学科排名

炸坏

Architecture and the Novel under the Italian Fascist Regime978-3-030-19428-4

Gesture

e last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes..978-3-030-19430-7978-3-030-19428-4

尊重

National Novel and New Architecture,esthetic principles underpinned the development of these superficially very different artistic forms. Through this approach, we consider how these shared principles functioned as cardinal points within the overall structure of the system of the arts articulated under and by the regime. This chapter

OASIS

,The Regime and the Creation of an ‘Arte di Stato’,ussion of the central idea of .. This expression signals the more ‘pluralist’ approach adopted towards the arts by the Fascist regime, compared to coeval totalitarian regimes, in its attempt to create an aesthetic system supporting the dictatorship. The chapter takes as its starting point Mussolini’

用肘

Constructing the Novel,ctatorship from a theoretical standpoint. Firstly, we discuss how and why the novel in general—as a form rooted in construction—and the new realist one in particular, assumed a privileged position within the Italian literary field of the 1920s and 1930s. In doing so, we also show how it contributed

露天历史剧

Omniscient

tinnitus

State Art, the Novel, and Architecture: Intersections,s of argument we have developed so far. More specifically, it analyses the intersections between State art, architecture and the novel, which emerge from the debates taking place in literary and cultural journals, such as ., . and .. These journals expressed the voice of the cultural fringes of the

LAVE