Titlebook: Sampling, Biting, and the Postmodern Subversion of Hip Hop; Jim Vernon Book 2021 The Author(s), under exclusive license to Springer Nature

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Sampling, Biting, and the Postmodern Subversion of Hip Hop

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Book 2021lars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop’s pioneers and rap music’s most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmode

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Introduction,s, grounded in an anachronistic overemphasis on sampling, not only sharply contrasts with the aesthetic practices and ethical values that facilitated the development of Hip Hop; it both reflects and deepens the subversion of the culture through its appropriation by the broader fragmented, and fragmenting, neoliberal society.

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,‘Never Let an MC Steal Your Rhyme’: The Aesthetics and Values of Hip Hop Culture,ducts of creative labor to merely fungible signs that any isolated individual may consume or use as they please, Hip Hop, by contrast, pushed individuals to both accept and identify with a kind of civic responsibility to respect, as well as contribute to, the ongoing and progressive development of their community.

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,‘The Fifth Element’: Knowledge, or Hip Hop’s Struggle Against Post-Rap Subversion, that has become hegemonic in Hip Hop Studies. It also demonstrates that these values received frequent aesthetic expression in the early, post-Sugarhill Gang rap music made by the artists most directly emergent from, or connected to, the original Bronx culture.

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,‘Make Something Original’: Hip Hop Sampling from the ‘Golden Era’ to the Wu-Tang Clan,etailed in Chap. .. While the legal crackdown on sampling and the emergence of ‘gangsta’ rap eventually altered both the sound and content of much mainstream music associated with the culture, this chapter demonstrates the continued dominance of Hip Hop’s aesthetic and ethical values in the majority of rap music up through the 1990s and beyond.