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Titlebook: Sampling, Biting, and the Postmodern Subversion of Hip Hop; Jim Vernon Book 2021 The Author(s), under exclusive license to Springer Nature

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书目名称Sampling, Biting, and the Postmodern Subversion of Hip Hop
编辑Jim Vernon
视频video
概述Re-evaluates and challenges the presumptive claims in Hip Hop Studies.Discusses the distinction between the philosophical/theoretical framework brought to bear on Hip Hop and the one which emerged fro
图书封面Titlebook: Sampling, Biting, and the Postmodern Subversion of Hip Hop;  Jim Vernon Book 2021 The Author(s), under exclusive license to Springer Nature
描述.Drawing on the culture’s history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by ‘postmodern’ scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop’s pioneers and rap music’s most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the culture’s ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the culture’s fundamental proscription against ‘biting,‘ this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely ‘samples’ the culture for its own reactionary ends.   .
出版日期Book 2021
关键词Derrida; Hip Hop; aesthetics; ethical value; cultural studies
版次1
doihttps://doi.org/10.1007/978-3-030-74903-3
isbn_ebook978-3-030-74903-3
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2021
The information of publication is updating

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Jim Vernonlds.Analyses how death and the Beyond find contemporary exprThis volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human
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Jim Vernon” (Nietzsche), in literature and film of the twentieth and twenty-first centuries. It focuses on threshold images between life and death in Franz Kafka’s “The Hunter Gracchus,” Thomas Mann’s ., Joel Schumacher’s ., Peter Weir’s ., David Fincher’s ., Albert Camus’ ., Durs Grünbein’s ., Franz Kafka’s
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r, it also discusses the idea of ‘romantic science’, as a science that emerged from the ‘romantic movement’ and which enriched natural philosophy with both aesthetic and moral elements. This discussion helps one understand that the central feature of ‘romantic science’, namely, the ‘romantic’ quest
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