Titlebook: Sampling, Biting, and the Postmodern Subversion of Hip Hop; Jim Vernon Book 2021 The Author(s), under exclusive license to Springer Nature

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Introduction,the culture’s public face, and because rap’s most characteristic artistic practice is often understood to be ., or the appropriation of previously created material for freely inventive re-use, Hip Hop is often read as the aesthetic expression of a subversive attitude toward tradition, including all

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Conclusion: Hip Hop Studies after Reactionary Postmodernism,alism from the one-dimensional ‘reactionary postmodernism’ or ‘perverse modernism’ that dominates much of the academic humanities; they should, moreover, reject the latter framework in favor of approaches that allow for an accurate understanding of the ongoing evolution of the culture, in order to b