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Titlebook: Romantic Literature and the Colonised World; Lessons from Indigen Nikki Hessell Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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Naming: Aloha Ivanhoe,ublished in 1871–1872 in the newspaper . (The New Era). The chapter suggests that the overt colonial themes in Scott’s novel, and in particular the challenges of taxonomies and naming practices in colonial contexts, are reactivated by the translator John Makini Kapena to elucidate a contemporary cri
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Healing: Isabella, or The Pot of ,,. This chapter examines the Kerala author Moorkoth Kumaran’s 1927 translation of Keats’s .. Paying attention to the references to India and the wider colonised world in the poem, this chapter argues for an underlying discourse of colonial medicine based around Kumaran’s version of the verses. It dem
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Naming: Aloha Ivanhoe,sis in the Hawaiian monarchical succession and the difficulties of integrating Hawaiian taxonomies of rank within Euroamerican political structures. This focus, in turn, can be perceived in Scott’s reactions to the end of the Regency in Britain and the establishment of a new monarchy under George IV.
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Mapping: Wordsworth and Poems on the Renaming of Places,The Farmer of Tilsbury Vale” as one of Wordsworth’s “Poems on the Naming of Places,” and that those poems should be reconsidered as specifically colonial and indigenous, despite their attention to Lake District topography and toponymy.
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Book 2018scourse around colonisation in the original English texts. Focusing on poems by William Wordsworth, John Keats, Felicia Hemans, and Robert Burns, and on Walter Scott’s .Ivanhoe., it provides the first scholarly insight into the reception of major Romantic authors in indigenous languages, and makes a
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