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Titlebook: iBroadway; Musical Theatre in t Jessica Hillman-McCord Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Musical theatre.Digit

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楼主: 传家宝
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The Digital-Age Musical: Sighting/Siting Musicals Defined by High-Tech Content, Themes, and Memesemporary mainstream musicals that predominantly deal with the high-tech revolution, one might question whether Broadway has dropped the cyber ball. Are there other venues taking up the cause and content? This chapter examines a handful of digital-centric productions that have been workshopped in the
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Ghosts in the Machine: Digital Technology and Screen-to-Stage Musicalsn Carlson’s theory of “ghosting” the chapter examines ways in which digital technology allows the stage adaptations of iconic films to “ghost” their own source material. Through digital scenography, these three musicals allow audience members to interact with the beloved films on which they are base
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Let’s Misbehave: Cell Phone Technology and Audience Behaviorscal theatre. It first provides a brief overview of the history of cell phone use in the United States before moving on to a series of case studies involving audience misbehavior facilitated by, and unique to, this technology. A fundamental tension is found between conceptions of community as imagine
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No-Object Fandom: ,-ing Kickstarter and Bringing , to the Stageever seen in full, because they do not actually exist outside a fictional universe. Part of her pioneering research into how audiences respond to mediatized representations of live performance, Sedgman presents findings from original reception research into fandom of the TV show .. After the show’s
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Digital Technology, Social Media, and Casting for the Musical Theatre Stageling audition sign-ups online and many casting directors have created software to manage the entire process of non-equity open calls in an online format. Digital technology has also transformed the way actors interact with casting directors. Web-savvy actors must curate an online brand, successfully
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Keeping the Celebrity Flame Flickering: Reality Television Celebrities on Broadway and Fan Interacties. Celebrities who are cast in Broadway musicals interact with audiences in ways never before seen and mediated access between fan and celebrity is nearly limitless. This chapter investigates the tenuous merger of Broadway culture, reality television, and the Internet, as exemplified in the careers
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The Advantages of Floating in the Middle of the Sea: Digital Musical Theatre Researchcal memory of this present moment. Chapter 11 discusses how the typescripts, film negatives, and telegrams that tell the story of the theatre of a generation or two ago have been replaced by Google Docs, JPEGs, and posts on Facebook walls. Today, much of the history of Broadway is stored on a variet
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