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Titlebook: iBroadway; Musical Theatre in t Jessica Hillman-McCord Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Musical theatre.Digit

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Emily Clarktic theory is one filled with varying conceptions of what these are, if indeed they exist at all.. They have at times been conceived of as purely syntactic objects (e.g. the ‘theta roles’ of Chomsky, 1981; the “case relations” of Fillmore, 1968), as names for parts of lexical/conceptual structure (e
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978-3-319-87892-8The Editor(s) (if applicable) and The Author(s) 2017
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https://doi.org/10.1007/978-3-319-64876-7Musical theatre; Digital age; Broadway; Digital technology; Screen-to-stage musicals; Social media
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Jessica Hillman-McCordExamines the extraordinary impact of the digital age on musical theatre.Brings together a group of expert voices in the field to address a broad and diverse array of issues, from casting to criticism.
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road and diverse array of issues, from casting to criticism..This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical
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Rise Again Digitally: Musical Revivals and Digital Dramaturgy on Broadway streaming videos, and podcasts. These blogs offer new insight into how theatre companies engage with audiences in the digital age and the manner in which dramaturgy aids in the project of reviving musicals of the past for present day theatregoers.
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