Titlebook: iBroadway; Musical Theatre in t Jessica Hillman-McCord Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Musical theatre.Digit

Kidnap

Musical Theatre in the Digital Age, theatre has been impacted by innovation and technology. This chapter discusses how the digital revolution has fundamentally altered the way musicals are admired, marketed, reviewed, researched, taught, and even cast.

fluffy

哑巴

Let’s Misbehave: Cell Phone Technology and Audience Behaviorsolving audience misbehavior facilitated by, and unique to, this technology. A fundamental tension is found between conceptions of community as imagined on musical theatre stages as opposed to those created by cell phone use.

群居男女

“You Can’t Stop the Tweet”: Social Media and Networks of Participation in the Live Television Musica where the conventions of traditional theatre, television, and online social media converge. Viewers in intersecting communities and contexts, including musical theatre fandom and the Black Lives Matter movement, make meanings of these live musicals through participatory practices such as hate-watching and critical humor.

Geyser

Digital Technology, Social Media, and Casting for the Musical Theatre Stage leverage social media, and exploit micro-celebrity opportunities to find success in musical theatre on Broadway and beyond. Through interviews with New York casting directors and actors who are using the Internet and social media in creative, unique ways, this chapter explores the changes in casting and being cast in the digital age.

CT-angiography

The Ever-Evolving World of Twenty-First Century Musical Theatre Criticismile certainly not everyone agrees with Alison Croggon that “the digital media have ushered in a golden age of criticism and commentary for the arts,” most celebrate the multiplicity of voices now filling digital conversations, created by lovers of theatre.

eucalyptus

Book 2017other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike..

RODE

The Digital-Age Musical: Sighting/Siting Musicals Defined by High-Tech Content, Themes, and Memesthemes. Yet, these popular and highly reflexive works further complicate the traditional definition of a “musical.” Linked by a common thread, what do the aforementioned works portend for a digital-age future in the commercial musical theatre market?

slow-wave-sleep

Digital Fandom: , and the Participatory Spectatorraction and participation in a mediatized community. .’s digital footprint can help reveal how and why fans love a particular musical, granting musical theatre new life and leading the form fully into the twenty-first century.

Trigger-Point

No-Object Fandom: ,-ing Kickstarter and Bringing , to the Stagechapter demonstrates how fans navigated a shared sense of loss. Without a completed show to consider, it fell to audiences to construct an imagined version of how these musicals might actually work on stage.