Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction; Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2

convulsion

清醒

https://doi.org/10.1007/978-3-322-92613-5fman argues that the bodies of women killers and victims in these texts are occasions of confusion, disguise and deception, emphasising both a disruption of social order and the instability of class and gender stereotypes.

裙带关系

Euphonious

征税

Nuance

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antenna

Book 2016ocial and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Saye

Metastasis

https://doi.org/10.1057/978-1-137-59298-9s of women’s bodies, in the works of British golden age women crime writers including Margery Allingham, Christianna Brand, Agatha Christie, Ngaio Marsh, Gladys Mitchell, Dorothy L. Sayers, Josephine Tey and Patricia Wentworth.

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