Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction; Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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https://doi.org/10.1007/978-3-322-92289-2tianna Brand’s . (1941) alongside one another in order to consider depictions of women in schools, universities and the workplace. Hoffman argues that these settings provide an opportunity to explore the tension between women’s expanding place in the public sphere and the pressure to remain in tradi

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https://doi.org/10.1007/978-3-322-92613-5epresent sites of transgression that must be contained at the narrative’s conclusion so that order can be restored. Texts examined in this chapter include Agatha Christie’s . (1932), . (1933), . (1937), . (1941) and . (1942), as well as Gladys Mitchell’s . (1929) and Dorothy L. Sayers’ . (1927). Hof

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,Wählerverhalten und Wahlforschung,lden age crime narratives suggest alternatives to—or more nuanced interpretations of—the modes of femininity available during the period in which they were published. Hoffman argues that examining these depictions, and moving beyond the female detective to consider killers, victims and romantic inte

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J. R. Martinez Catalana wellness center is but one of the ways illustrative of how differently patients and staff define needs. The gulf between the phenomenologies of patients and staff has different sources and the bridging of that gulf is primarily the obligation and responsibility of the staff.

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e in a real world scenario. The dataset used in the training step is the plant village data. By implementing the model on this dataset, we could achieve the accuracy of . on test data, . on validation data, and . on training data, which is remarkably competitive with the state-of-the-art.