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Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction; Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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发表于 2025-3-21 18:28:23 | 显示全部楼层 |阅读模式
书目名称Gender and Representation in British ‘Golden Age’ Crime Fiction
编辑Megan Hoffman
视频video
丛书名称Crime Files
图书封面Titlebook: Gender and Representation in British ‘Golden Age’ Crime Fiction;  Megan Hoffman Book 2016 The Editor(s) (if applicable) and The Author(s) 2
描述.This book. .provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts..
出版日期Book 2016
关键词women; femininity; detective; Agatha Christie; Dorothy Sayers; pop culture; sleuth; gender studies; British
版次1
doihttps://doi.org/10.1057/978-1-137-53666-2
isbn_ebook978-1-137-53666-2Series ISSN 2947-8340 Series E-ISSN 2947-8359
issn_series 2947-8340
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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A Joint Venture?: Love, Partnership and Marriage,, Ngaio Marsh’s Roderick Alleyn and Agatha Troy and Agatha Christie’s Tommy and Tuppence Beresford in order to explore how—and if—the ‘gap’ that exists between actively equal partnership and domesticity is negotiated in golden age crime narratives. This chapter also posits that within these couples
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2947-8340 age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts..978-1-137-53666-2Series ISSN 2947-8340 Series E-ISSN 2947-8359
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Gender and Representation in British ‘Golden Age’ Crime Fiction
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