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Titlebook: Gender Epistemologies in Africa; Gendering Traditions Oyèrónkẹ́ Oyĕwùmí Book 2011 Oy�r�nk�? Oy?w�m� 2011 Africa.experience.gender.idea.Inst

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in institutions and in society at large. Academic literatures burgeoned with theories on the origins of gender inequality, gender stereotypes, and the role of culture and religion in the structuring of inequality. Perhaps more than any other discipline, religion appears to be at the center in the gr
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Donna L. Bedard,Heidi M. Van Dortemale students drastically thins out as one ascends the educational ladder, girls perform more poorly than boys in science subjects, have low educational aspirations, are grossly underrepresented in higher education particularly in the university. Available statistics show that even fewer women have
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Giancarlo Lancini,Rolando Lorenzettise disturbing traditional practices, rooted in the domination of women by men, are a significantly widespread psychological and physical health threat to young women and girls in Africa. Fran Hosken, a persistently vocal critic of such practices since the 1970s, regularly employs terms such as “back
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M. Soledade C. Pedras Lic, Ph.D., D.Sc.ally accepted understanding of the role of both ceramic technology. and ceramic producers in African history. Thus this study also disputes the works of some Western scholars who, after examining both iron smelting and potting, imposed faulty “paradigms” such as a strict division of labor by gender
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R. Marmeisse,G. Gay,J. C. Debaudew of society are necessarily male-dominant, because in our time, patriarchy is the main expression of gender divisions. Two claims emerge from this biased branding of African art: first, that traditionally in Africa only men make art or engage in the production of important art; and second, that ma
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NAKABUMBA: God Creates Humanity as a Potter Creates a Pot,of some Western scholars who, after examining both iron smelting and potting, imposed faulty “paradigms” such as a strict division of labor by gender and the resulting “technology hierarchy” onto African societies.
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R. Marmeisse,G. Gay,J. C. Debaududing clay. Being male is assumed to be, everywhere in “traditional Africa,” a mark of privilege, if not license. The effect of this antifemale stance is to place women at the receiving end of the gaze.
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