Titlebook: European Cinema and Television; Cultural Policy and Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)

Affiliation

Sensing National Spaces: Representing the Mundane in English Film and Televisionnremarkable depictions that an unreflexive sense of belonging to England is consolidated to constitute a kind of common sense that forms the fertile ground on which discursive nationalist sentiments can prosper.

Campaign

exceptional

New Voices, New Stories: Migrant Cinema and Television in Norwaylation of five million. More than 50% has a European background. Of the non-Europeans, guest workers from Pakistan, Morocco and Turkey dominated the first phase of immigration in the 1970s and 1980s. During the last decade, immigrants and refugees from North Africa and the Middle East have been in t

Foam-Cells

草本植物

愉快吗

傀儡

Repatriate

gruelling

Beyond Borders and into the Digital Era: Future-proofing European-level Film Support Schemes. At the same time, the evolution of these policy instruments has to be situated within borders of their own: those between different policy-making levels, as well as those between sometimes conflicting policy objectives.

冥想后

British Cinema, Europe and the Global Reach for Audiencesre British filmmakers, and indeed policy-makers? How important is it for UK-based filmmakers to address their films to and exploit them in European markets? How extensive is UK/European co-production activity? How widely do British films circulate in the rest of Europe, and which types of films tend to travel best?