Titlebook: European Cinema and Television; Cultural Policy and Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)

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https://doi.org/10.1007/978-3-662-26023-4 a number of contemporary Eastern European films. Images of the West, and of what it means to be a Westerner or a European, have inevitably changed over the last few decades, and in this chapter I compare images from the communist period with images that can be found in at least a small number of ar

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,Die Wertegesellschaft: Rückführung,hange. Contingent on changing technological, economic, political and cultural factors, it is a relationship that is fragmented, episodic and in constant flux. Ireland’s situation as a small country in a big community is not unique, but a combination of features, including but not limited to, English

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https://doi.org/10.1057/9781137356888Europe; film; television; heritage; everyday lives; media; cinema

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Film and European Identity: A German Case Studyopean movies on television? In this chapter, I begin to answer these questions through a case study of a German focus group, and by developing an appropriate theoretical and methodological framework. I should stress that the case study itself is a very modest and exploratory piece of work. It is not

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