Titlebook: European Cinema and Television; Cultural Policy and Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)

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British Cinema, Europe and the Global Reach for Audiences But it is also, by definition, a European cinema, while some of its films receive European funding, and many more are distributed in other European territories besides the UK itself. What then does British cinema look like in the context of Europe? How involved in European production developments a

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New Voices, New Stories: Migrant Cinema and Television in Norwaynically and culturally homogenous countries have become multicultural societies through the presence of guest workers, refugees, immigrants and other groups on the move. Migrants are a heterogeneous category in terms of ethnicity, religion, social organization and traditions of expressive culture, a

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Italian TV Drama: The Multiple Forms of European Influenceale (Straubhaar 2007), but this reconfiguration has not undermined the conception and reality of televisual space as being pre-eminently (even if not exclusively) national. Accordingly, the paraphrase of one of Mark Twain’s famous quips — rumours of the death of the nation have been greatly exaggera

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Breaking Borders: The International Success of Danish Television Dramaand community to community’ (Puttnam 1994: 357). These words by David Puttnam point to why TV drama and film matters. Through stories and images we experience and reflect on both contemporary reality and the past. Audiovisual narratives are powerful means to influence and develop our social imaginar

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