Titlebook: Discourses of Migration in Documentary Film; Translating the Real Alexandra J. Sanchez Book 2022 The Editor(s) (if applicable) and The Auth

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The Individual Experience of Migrant Queers,trauma” that the AIDS crisis brought about in the United States—affected Latinx migrants. Throughout their films, their queer, migrant protagonists steadily transform from lucky Caribbean escapees into figures of hate, stuck in a society that lured them in with its false promise of freedom, equality, and democracy.

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Systemische Kontrolle der Entwicklungslation theory on documentary films does not pretend to offer a revolutionary solution to the many gaps and pitfalls of Discourse, Translation or Documentary Studies. Instead, it encourages these fields to venture outside of their already-porous boundaries in search of “antidisciplinarity”: an escape from punishing norms that discipline behavior.

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Introduction,cene of the United States, which developed to offer an alternative, subjective lens to social issues. The chapter also formulates and elaborates on the aim of the book: using translation theory as a heuristic tool to chart the kinds of counterhegemonic discourses (“counterdiscourses”) of migration that documentaries are capable of conveying.

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Behzad Nematollahi,Jay Sanjayanslation: contexts, agents, practices, and discourses. Using the metaphors of the translation process as a metalanguage, the chapter moves on to merge the paradigms of Translation Studies, Discourse Studies, and Documentary Studies. It pays special attention to Positive Discourse Analysis, a subdiscipline of Critical Discourse Studies.

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https://doi.org/10.1007/978-94-015-9733-3e “translations from the real to the reel” in the following 9 chapters: their discourses on migrant motherhood, fatherhood, childhood, biculturalism, citizenship, criminality, queerness, adoption, and fame.

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