Titlebook: Critical Autoethnography and Écriture Feminine; Writing with Hélène Elizabeth Mackinlay,Renée Mickelburgh Book 2024 The Editor(s) (if appl

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The Narcissist Never Leaves, Only Dies: An Autoethnographic Account Inspired by Cixousy experiences of narcissistic abuse resulting from an intimate relationship and enter into conversation with many concepts in Cixous’ (., Columbia University Press, New York, 1993) the “School of the Dead” and hear Cixous when she says “writing is learning to die. It’s learning not to be afraid, in

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Your Dreambody Must Be Heard: Writing Trauma in the School of Dreamsfog. I reach for them in the cool morning light, “full of enjoyment, full of terror” (Cixous, ., Edinburgh University Press, Edinburgh, 78, 2006). My dreams and my writing have always been tangled with trauma. My trauma recovery has depended not on literal or linear stories, but on abstract and abje

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Metis and Cixous: Cunning Resistance, Bodily Intelligence and Alliesis, the Greek Goddess, which led to the birth of . (I italise . where I am writing about the theatre project), an original theatre project as a medium to tell, perform and stage the stories and lived experiences of intimate abuse and violence. This chapter will draw on autoethnographical work that s

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Denying the Penis: Bringing Women to Writing [With/in and] Through Doctoral Supervisionness where a supervisor might (doula-like) induce experience or ideas from deep inside the doctoral student’s stomach or womb (Cixous, Signs: Journal of Women in Culture and Society 1:875–893, . 1:875–893, 1976). This chapter explores a reflection on responding to Cixous’ invitation to “bring women