Titlebook: Critical Autoethnography and Écriture Feminine; Writing with Hélène Elizabeth Mackinlay,Renée Mickelburgh Book 2024 The Editor(s) (if appl

In-Situ

,Die Rückkehr zum Trennungsmodell,is, the Greek Goddess, which led to the birth of . (I italise . where I am writing about the theatre project), an original theatre project as a medium to tell, perform and stage the stories and lived experiences of intimate abuse and violence. This chapter will draw on autoethnographical work that s

揭穿真相

,Mikroökonomik und internationale Währungen,ness where a supervisor might (doula-like) induce experience or ideas from deep inside the doctoral student’s stomach or womb (Cixous, Signs: Journal of Women in Culture and Society 1:875–893, . 1:875–893, 1976). This chapter explores a reflection on responding to Cixous’ invitation to “bring women

Oversee

束以马具

,Mikroökonomik und internationale Währungen,s” to connect her words with those of her co-author, Michelle Calle Gruber. The word “interview” originally meant “to see between,” and when combined with the etymology of “conversation,” which means “to turn around with,” it suggests the concept of “seeing and turning around with and between.” The

军械库

https://doi.org/10.1007/978-3-031-40051-3Critical Autoethnography; Feminism; French Philosophy; Cixous; Women‘s Writing

精密

978-3-031-40053-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

同来核对

oss literature, philosophy, gender studies, and anthropologyThe project offers a collection of new interdisciplinary critical autoethnographic engagements with Hélène Cixous .écriture feminine. and work .Three steps on the ladder of writing.. Critical autoethnography shares a reciprocal, and inter-a

Forsake

E. D. Kyriakis-Bitzaros,G. Halkiasolumbia University Press, New York, 41, 1993) speaks of Clarice Lispector’s intentions of venturing where we don’t have the strength or means to venture, to the edge of our abyss to then describe it. This is my aim. What is in the depths of my experiences I wonder?

骨

,Die Rückkehr zum Trennungsmodell, the moon phases—an ancient feminine ritual. Beginning with the date I started rewriting this chapter, I follow that month’s lunar period with some concluding words written on the following month’s full moon.

平项山