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Titlebook: Contemporary Literature and the End of the Novel; Creature, Affect, Fo Pieter Vermeulen Book 2015 Palgrave Macmillan, a division of Macmill

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发表于 2025-3-21 16:07:46 | 显示全部楼层 |阅读模式
书目名称Contemporary Literature and the End of the Novel
副标题Creature, Affect, Fo
编辑Pieter Vermeulen
视频video
图书封面Titlebook: Contemporary Literature and the End of the Novel; Creature, Affect, Fo Pieter Vermeulen Book 2015 Palgrave Macmillan, a division of Macmill
描述This book explores the paradoxical productivity of the idea of the end of the novel in contemporary fiction. It shows how this idea allows some of our most significant twenty-first century writers to re-imagine the ethics and politics of literature and to figure intractable forms of life and affect.
出版日期Book 2015
关键词Contemporary Fiction; J; M; Coetzee; Death in literature; English literature; fiction; novel; British and
版次1
doihttps://doi.org/10.1057/9781137414533
isbn_softcover978-1-349-49030-1
isbn_ebook978-1-137-41453-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2015
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978-1-349-49030-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2015
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https://doi.org/10.1057/978-1-137-54328-8In an often-quoted interview from 1990, J.M. Coetzee describes the relation between his literary work and his personal life in unexpectedly direct terms:
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https://doi.org/10.1057/978-1-137-53315-9is up” (71); English novelist D.H. Lawrence’s 1923 essay “Surgery for the Novel—Or a Bomb” visited “the death-bed of the serious novel” and diagnosed the patient as “senile precocious”—a condition only “a convulsion or cataclysm” could hope to cure (152); already in the 1760s, when the English novel
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https://doi.org/10.1057/978-1-137-53315-9ry is often the rhetorical flip side of the inauguration of new literary dispensations, and the novel’s popular and middlebrow success has made it an obvious target for such declarations of redundancy.. Especially modernist statements of the death of the novel tend to function as “deck-clearing stat
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