Titlebook: Contemporary Literature and the End of the Novel; Creature, Affect, Fo Pieter Vermeulen Book 2015 Palgrave Macmillan, a division of Macmill

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Coda: The Descent of the Novel,ovels in this study draw on very diverse tonal and narrative repertoires, they all set out to provoke a crisis in the emotive scenarios through which the novel form has traditionally done its cultural work. As I emphasized especially in my readings of McCarthy (in the first chapter) and Coetzee (in

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https://doi.org/10.1057/978-1-137-54943-3emotion to trackless affect, this book has shown that the production of such “after-affects” makes room for a very broad set of emotive registers: Coetzee’s work, for instance, delivers a sense of embodied, creatural excess, while in both . and ., a sense of disconnection displaces political hope fr

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Homonymy and Polysemy in the Czech Morphological Dictionaryis not necessary to distinguish meanings in morphological dictionaries unless the distinction has consequencies in word formation or syntax. The contribution proposes several important rules and principles for achieving consistency.

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Wirtschaftliche, politische und digitale Faktoren des Wandels,treibenden Faktoren sein werden. Das viel benutzte Adjektiv „disruptiv“, das bis dato kaum im allgemeinen Sprachgebrauch Verwendung fand, ist nun in aller Munde. In diesem Beitrag wird dargestellt, welche Faktoren den Wandel antreiben und welche Auswirken daraus für die Immobilienwirtschaft resultieren.