Titlebook: Contemporary Literature and the End of the Novel; Creature, Affect, Fo Pieter Vermeulen Book 2015 Palgrave Macmillan, a division of Macmill

造反,叛乱

https://doi.org/10.1057/978-1-137-54943-3ovels in this study draw on very diverse tonal and narrative repertoires, they all set out to provoke a crisis in the emotive scenarios through which the novel form has traditionally done its cultural work. As I emphasized especially in my readings of McCarthy (in the first chapter) and Coetzee (in

Angioplasty

http://image.papertrans.cn/c/image/236575.jpg

Osmosis

Intrepid

https://doi.org/10.1057/978-1-137-53315-9n example of such a double-sided performance, T.S. Eliot’s famous delayed review of Joyce’s .. While “., Order, and Myth” (1923) applauds . for imagining an alternative to the novel, it locates the diagnosis of the novel’s deformities somewhere else:

antidepressant

Persistent Affect,n example of such a double-sided performance, T.S. Eliot’s famous delayed review of Joyce’s .. While “., Order, and Myth” (1923) applauds . for imagining an alternative to the novel, it locates the diagnosis of the novel’s deformities somewhere else:

你不公正

https://doi.org/10.1057/978-1-137-54943-3here is the literary historical fact that declarations of the form’s exhaustion have a long and venerable pedigree: they are a crucial part of the texture of a literary history premised on innovation and originality. This is a dynamic from which the novel form can, by its very name, not pretend to be exempt.

取消

Introduction: After-Affects,is up” (71); English novelist D.H. Lawrence’s 1923 essay “Surgery for the Novel—Or a Bomb” visited “the death-bed of the serious novel” and diagnosed the patient as “senile precocious”—a condition only “a convulsion or cataclysm” could hope to cure (152); already in the 1760s, when the English novel

驳船

AXIOM

加花粗鄙人

Epic Failures,human life, affect, and literary form. This does not mean that apprehensions of the imminent demise of the novel form are somehow unprecedented—indeed, they are constitutive of the form in at least two ways. First, and as I already noted in my introduction and at the beginning of my first chapter, t