Titlebook: Contemporary Horror on Screen; An Evolving Visual N Sarah Baker,Amanda Rutherford,Richard Pamatatau Book 2023 The Editor(s) (if applicable)

遭遇

不持续就爆

From Haaa! to OOO: The New Cycle of Killer Objects: The New Cycle of Killer Objectsto the independency and autonomy of the object’ (Ferrando 163). In our increasingly posthuman world, OOO takes inanimate matter into consideration and recognizes that ‘all objects maintain a being, an ontology that always escape unconcealment’ (Weaver 192). The mysterious nature of objects, so passi

暂停,间歇

胆大

Haunted Churches, Wicked Schools, Addressing Postcolonial History Through Philippine Horrore directed by Mikhael Red. Both films intersect with discourses on religious iconography and sacred spatiality, while simultaneously questioning religious providence. The first film follows a group of deacons who engage in a ritual of seclusion during the last seven days of priesthood in order to hi

蜈蚣

A Ghost Story and Micro-Cosmic Horror: Virginia Woolf’s Indifferent Fears a more rigorous understanding of the affective, and aesthetic repercussions of indifference—itself a nod to modernist impersonality—as it appears in both texts. Drawing on Affect Theory and Modernist Studies, this paper contributes to contemporary conceptions of horror and early modernism, bringin

女歌星

Shifting Subjectivities: Adopting the Perspective of the Other in Mother and Get Outn Peele’s . (2017) to examine the production of the internal or familial threat and how it speaks to broader social and political anxieties. What unites both these films is the shift in subjectivity commonly offered in horror films. Both films use conventional Others of horror films as their protago

palliative-care

Eclampsia

Good for Her; Ready or Not’s Final Girl and the Rich, Patriarchal Family as Monsterely self-aware of her recurring role (though the interpretation is a little different, with the figure often treated as a feminist hero). Various theorists such as Kinitra D. Brooks, Lucia Palmer, and Kelly Wilz, have continued to engage academically with the Final Girl, investigating the subconscio

IST

DUST