Titlebook: Contemporary Horror on Screen; An Evolving Visual N Sarah Baker,Amanda Rutherford,Richard Pamatatau Book 2023 The Editor(s) (if applicable)

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Good for Her; Ready or Not’s Final Girl and the Rich, Patriarchal Family as Monster Girl’ was originally coined by Carol J. Clover in her 1987 essay ‘Her Body, Himself: Gender in the Slasher Film,’ where she extracted an analysis of the female victim hero through close readings of 70/80 s horror films. Clover, drawing on Robin Wood’s concept of the ‘repressed,’ utilised the slashe

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The Horror Film and Donald Trump: The Revenge of Minoritiesding his protectionist economic speech and anti-immigration statements. He has been accused of racism, but also of being contemptuous of minorities. Many horror movies have been made from this period, as it common for film to capture the mood and fears of a nation. During Ronald Reagan‘s tenure, for

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audiences and to pop culture in general in addressing moder.This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern. In examining the prevalence of dark tropes in contemporary horror films such as .Get Out, Annabelle: Creation, A Quie

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Origins: A View from the Literatureting contemporaneous hopes, fears, and aspirations, Tom Gunning reminds us that it is not that social trauma triggers the production of certain types of films, but that we come to better understand trauma using films, whether contemporaneous or not. This insight was witnessed as COVID-19 rapidly spr

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