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Titlebook: Contemporary Horror on Screen; An Evolving Visual N Sarah Baker,Amanda Rutherford,Richard Pamatatau Book 2023 The Editor(s) (if applicable)

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发表于 2025-3-21 16:13:56 | 显示全部楼层 |阅读模式
书目名称Contemporary Horror on Screen
副标题An Evolving Visual N
编辑Sarah Baker,Amanda Rutherford,Richard Pamatatau
视频video
概述Presents a rigorous examination of the horror genre in the context of contemporary popular culture.Examines what the horror genres offers to audiences and to pop culture in general in addressing moder
图书封面Titlebook: Contemporary Horror on Screen; An Evolving Visual N Sarah Baker,Amanda Rutherford,Richard Pamatatau Book 2023 The Editor(s) (if applicable)
描述.This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern. In examining the prevalence of dark tropes in contemporary horror films such as .Get Out, Annabelle: Creation, A Quiet Place, Hereditary .and .The Nun., as well as series such as .Stranger Things, American Horror Story. and .Game of Thrones., amongst numerous others, the authors contend that we are witnessing the emergence of a ‘horror renaissance’. They posit that horror films or programmes, once widely considered to be a low form of popular culture entertainment, can contain deeper meanings or subtext and are increasingly covering serious subject matter. This book thus explores how horror is utilised as a tool to explore social and political anxieties of the cultural moment and is thus presented as a site for contestation, exploration and expansion to discuss present-day fears. It demonstrates how contemporary horror reflects the horror of modern-day life, be it political, biological, social or environmental. A vital contribution to studies of the horror genre in contemporary culture, and the effect it has on social anxieties in a threatening and seemingly ap
出版日期Book 2023
关键词Apocalyptic Horror; Contemporary Horror; Horror Cinema; Global TV and Horror; Gender and Contemporary ho
版次1
doihttps://doi.org/10.1007/978-981-99-4965-6
isbn_softcover978-981-99-4967-0
isbn_ebook978-981-99-4965-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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Representations of Environmental Apocalyptic Horror in , (2020)the continuation of life and societies in a rapidly changing ‘infected’ world. Epic disaster film not only brings visions of the horrors of death, but it grounds us in the reality that life is easily taken and serves to address anxieties surrounding adaptation or deviations to the status-quo within
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Haunted Churches, Wicked Schools, Addressing Postcolonial History Through Philippine Horrornd production is insistence that what is supernatural, paranormal, and ‘otherworldly’ is, nonetheless, grounded in the lived experiences of the Filipino people. This emerges from observing the necessity of daily rituals to ward off bad spirits, being wary of one’s surroundings in case of demented sp
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Shifting Subjectivities: Adopting the Perspective of the Other in Mother and Get Outising this movement, she argues the constitutive films and television series are ‘allegories for contemporary anger and despair’ and that ‘their interest lies in the emotional fault lines between the characters, not in some external menace’ (Benson-Allott, . 72:71–76, 2018, p. 71). Several of these
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Pedophobiac Audiences: Mapping the Presence of the Child in Horror Cinemartoire of roles as the juvenile victim, orphan, or martyr, but towards the mid-twentieth century, they have ubiquitously become capable of metamorphosing into the incurable delinquent, villain, and murderer. The horror genre allows the modification of real but unconscious fears into something fathom
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