Titlebook: Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road; Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino Book 2021 The

首创精神

SPASM

Deterioration and Conservation of Cappadocian Wall Paintings,ge of problems, including rock erosion, rainwater infiltration through cracks and fissures, exfoliation and collapse of rock, and deterioration of wall paintings. Added to these natural problems are growing tourist numbers and inappropriate touristic developments. This paper describes efforts to add

Missile

Materials and Techniques of Cappadocian Wall Paintings,can be related to four macro-phases into which we have divided painting practice in Cappadocia. In the overall development of painting up to the eleventh century, there was a general tendency to expand from simplified forms to more complex approaches, which is partly related to the development of mo

LOPE

pXRF and FTIR Spectrometry Applied to the Study of Azurite and Smalt in Romanian Medieval Wall Paind examples of which were identified at the church of Sucevița Monastery from Suceava. Calcium oxalate is the most frequently found alteration product identified in the pictorial layer with azurite, as well as in smalt pigment layers. In many cases the smalt pigment was not well-preserved, showing pr

泥瓦匠

Technical Characteristics of Church Wall Paintings in the Balkans,terials and technical approaches used in extensive gold leaf decoration. The survey by 3D scanning revealed (1) the quality of the original construction which is different from that of the later extended structure, and (2) the unique devices used by medieval painters to compensate for viewing the mu

Allege

Painting Materials and Techniques of the Ajanta Wall Paintings, finer plaster, a white ground was applied, either of lime or kaolin. The main identified pigments include red and yellow ochre, orpiment, red lead, green earth, and ultramarine blue. The earth pigments were locally available, including green earth, which is celadonite. Natural ultramarine blue (lap

Delude

,Materials and Techniques of the Polychromy of the Giant Buddha Statues in Bāmiyān, have used for the original paint layers. Despite their enormous dimensions, the statues were repainted at least twice between their creation in the sixth or seventh century and 977, when the region converted to Islam. While the sequence of paint layers can be reconstructed for probably large parts

Carcinoma

Materials and Technologies of the Bamiyan Wall Paintings,, the creation of the paintings is distinguished by other complex technologies, including the skilful use of earthen materials; and the sophisticated application of multiple colour layers and finishing techniques.

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rectocele