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Titlebook: Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road; Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino Book 2021 The

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发表于 2025-3-21 16:10:55 | 显示全部楼层 |阅读模式
书目名称Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road
编辑Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino
视频video
概述Presents the latest conservation research on ancient Silk Road wall paintings.Offers a comprehensive overview of the conservation and coloring techniques of ancient Silk Road wall paintings.Highlights
丛书名称Cultural Heritage Science
图书封面Titlebook: Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road;  Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino Book 2021 The
描述.This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them..The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. .The book offers insights obtained from conservation projects and ongoing research, that encompass thegeographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future cha
出版日期Book 2021
关键词Wall Paintings on the Silk Road; Researches in Conservation Science and Art History; Wall Painting Con
版次1
doihttps://doi.org/10.1007/978-981-33-4161-6
isbn_softcover978-981-33-4163-0
isbn_ebook978-981-33-4161-6Series ISSN 2366-6226 Series E-ISSN 2366-6234
issn_series 2366-6226
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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发表于 2025-3-21 21:00:54 | 显示全部楼层
On Painting Materials, Techniques, and the Conservation of Wall Paintings Across Eurasia,dance of information through its materials, which may be both local and distant in origin. In the study of wall painting techniques, it is essential to take account of many aspects, such as the relationship between paint layers and supporting layers; layering techniques and optical effects; the natu
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Deterioration and Conservation of Cappadocian Wall Paintings,ctive landscape is a product of volcanic activity, which resulted in the formation of tuff rock strata that were gradually eroded into dramatic peaks. The tuff is easily hollowed out, and for this reason the region has long been a place of rock-cut settlements. Carving techniques remained unchanged
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At the Western Edge of the Silk Road: Challenges of Conserving a Unique Nabataean Wall Painting in rock. A rock-cut interior in Siq al-Barid, a suburb of Petra, preserves the only . wall painting with figurative subject matter, dating to the first century AD. Given our limited knowledge of Petra’s Nabataean art and culture, the importance of this unique survival cannot be underestimated. From 200
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pXRF and FTIR Spectrometry Applied to the Study of Azurite and Smalt in Romanian Medieval Wall Paine pigments and the identification of their degradation products. The equipment used for this purpose included a portable X-ray fluorescence system (pXRF) and a Fourier transform infrared spectrometer (FTIR). The pXRF analyses were performed . in order to determine the pigments’ elemental composition
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Painting Materials and Techniques of the Ajanta Wall Paintings, late fifth and sixth centuries A.D. The caves were decorated with polychromed sculpture and wall paintings, both on the interior and exterior. Although general technical investigations of the wall paintings were made as early as the 1930s, more in-depth studies have been produced in recent years. T
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