Titlebook: Cognitive Theory and Documentary Film; Catalin Brylla,Mette Kramer Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cognitiv

Allure

https://doi.org/10.1007/978-3-319-90332-3Cognitive Theory; media; production; intra-textuality; documentary; neuroscience; psychology; character; edi

想象

978-3-030-07993-2The Editor(s) (if applicable) and The Author(s) 2018

向外供接触

labyrinth

Introduction: Intersecting Cognitive Theory and Documentary Film,hat filters reality through the prism of factual media; hence, their emotional and cognitive comprehension of the world is, to a significant extent, informed and consolidated by documentaries. This volume seeks to illuminate the production, exhibition and reception of documentaries, exploring intrat

Criteria

GRATE

Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theoryonstrating its potential to explain how filmmakers conceive, and how spectators experience and interpret this idiosyncratic documentary form. The analysis focuses on the Colombian animated documentary . (. and . 2011), addressing the interaction between the real characters’ voices from interviews (c

Genome

Documentary Spectatorship and the Navigation of “Difficulty”is is particularly the case with films that subvert conventional documentary approaches to knowledge in order to make the spectator question what is presented to them and to “work” at producing meaning and significance from what are often divergent indications. The cognitive profiles of two films, .