Titlebook: Cognitive Theory and Documentary Film; Catalin Brylla,Mette Kramer Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cognitiv

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Nikolaos Limnios,Vlad Stefan Barbuewers to renegotiate their moral values, transcend the differences between authentic artworks and replicas, and transgress established social boundaries. It takes, as a case study, the documentary . (dirs. Sam Cullman & Jennifer Grausman, 2014), which chronicles the life of Mark A. Landis, an Americ

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Peter Franken,Arnfried Strellerf anthropomorphism and trans-species empathy in viewers’ engagement with nonhuman characters in wildlife documentaries. It argues that recent ethological research casts a new light on neurologist Vittorio Gallese’s concept of liberated “embodied simulation” in film viewing, and that a closer look at

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Markov decision drift processesse documentaries explore a conception of film ecology in which landscape and nature are not simply represented audiovisually, but also elicit perceptual experiences as the primary cinematic appeal. By looking at issues of experientiality in the documentary film, the chapter seeks to promote an aware

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Peter W. Glynn,Donald L. Iglehartdiverse and subjective perspectives on reality. Blurring the boundaries between subject and filmmaker, “first-person documentaries” invite us to critically reflect on the processes by which viewers distinguish nonfiction from fiction. This chapter posits that such assessments depend on the cognitive

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Peter Franken,Arnfried Strelleronal knowledge” (Lyons-Ruth et al., “Implicit relational knowing: Its role in development and psychoanalytic treatment,” ., 19, 282–289, 1998) and “attachment emotions” (Bowlby, ., Vol. 2: ., 1969) by drawing upon the embodied reality that is enacted in this type of film. The chapter analyzes two fi

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https://doi.org/10.1007/978-1-4899-0574-1mmaking as well as viewing practices. This chapter outlines how folk-psychological mechanisms, as manifested in films and filmmaking textbooks, potentially result in the construction and perpetuation of social stereotypes that are detrimental to certain communities such as disabled people. This know

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Catalin Brylla,Mette KramerForeword by documentary scholar Bill Nichols.Explores a wide range of documentary formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos.Constit

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