Titlebook: Cognitive Theory and Documentary Film; Catalin Brylla,Mette Kramer Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Cognitiv

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Whither Chromium in Gallium Arsenide?’ evaluations of a documentary’s truthfulness. It argues that viewers use a series of cognitive heuristic tools, such as availability, representativeness and anchoring, based on their individual cognitive and affective dispositions, including the personal relevance of a given documentary. It further

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A. Mircea-Roussel,G. Jacob,J. P. Hallaisorytelling as a craft. Documentary filmmakers today read screenwriting manuals, study dramatic works and deliberately borrow strategies from fiction films. Even those with experimental leanings frequently describe their work in terms of stories. This tendency, for the most part, seems harmless enoug

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