Titlebook: Coded Cultures; New Creative Practic Georg Russegger,Matthias Tarasiewicz,Michal Wlodko Book 2011Latest edition Springer Vienna 2011 Applie

Noctambulant

A Political Intervention in the Digital Realmation of labor processes (read: even bigger exploitation through rationalizations and efficiencies). In such a condition, technological changes are easily absorbed into the existing social capitalist structures. Therefore, according to Lasch, far from revolutionizing the society, technological inven

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Coded Cultures Between New Media Arts and Production Culturesnd concerts took place in an experimental setting. The approach was (and still is) to display ≫actants≪ (Latour, 1987/2005) and not objects: since works in the fields of new media arts are intertwined with the creator(s) and their cultural background, the whole context has to be made an issue.

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GUEER

裂隙

Modeling Partial Attacks with ,,ation of labor processes (read: even bigger exploitation through rationalizations and efficiencies). In such a condition, technological changes are easily absorbed into the existing social capitalist structures. Therefore, according to Lasch, far from revolutionizing the society, technological inven

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1866-248X edia and technology.Many unique References and Illustrations.Through the establishment of new creative cultures, enabled by digital media and global communication networks, new practices and ability profiles of artistic delineations and explorations are gaining new grounds. Furthermore, economic mod

Anal-Canal

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梯田

Andreas Pashalidis,Chris J. Mitchelltive commodities in our increasingly code dependent cultures; how our definition of creativity can evolve by focusing on the idea of process and inheritance; and initiating a discussion of how to build its corresponding referential system.