Titlebook: Coded Cultures; New Creative Practic Georg Russegger,Matthias Tarasiewicz,Michal Wlodko Book 2011Latest edition Springer Vienna 2011 Applie

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Co-Evolutionary Anthropology of the Medial/CAMd connects two things that aren’t usually connected [...] Most new analogies lead nowhere, but occasionally they reveal something important. Creativity doesn’t operate when your focus is high; only when your thoughts have started to drift is creativity possible. We find creative solutions to a probl

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Art is about the Future; Otherwise, Nothingal and political contexts of the post-war Japan. It is an attempt to show how the present Japanese culture, especially in relation to those issues of art, technology and the future, has been ≫coded≪ for the past sixty years. What I would like to suggest is that we might be made incapable to understa

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A Political Intervention in the Digital Realmrly as the end of the 1970s, it had already been claimed by Christopher Lasch that the notion of technological determinism, a kind of blind belief in technology, is at the base of all popular comprehensions of industrial and technological revolutions (cf. Lasch, 1979). Nevertheless, he argued, we ha

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Coded Cultures Between New Media Arts and Production Culturesm the necessarily apparent mediacy (which we thought is important in regard to those interested in contemporary art) we also wanted to bridge the gap of current technological, sociological and artistic questions by mapping subcultures of ≫art with media≪ as well as ≫art that reflects on media≪ (Reck

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