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Titlebook: Coded Cultures; New Creative Practic Georg Russegger,Matthias Tarasiewicz,Michal Wlodko Book 2011Latest edition Springer Vienna 2011 Applie

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Coded Cultures. New Creative Practices out of Diversityving in creative labor. The current situation calls for the development of a broader view of inflationary used terms like creativity, innovation or code. This introduction presents examples and sketches theoretical descriptions as pathways to a non-economical understanding of codes and programs that underlie creative cultures.
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Co-Evolutionary Anthropology of the Medial/CAM can you make yourself have a creative inspiration (in the way you can make yourself solve an arithmetic problem) [...] Sleep and creativity happen only when your thoughts drift beyond your control [...] Which leads to a final observation. How do we invent new analogies? This is a major unsolved problem of cognitive science.≪.
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Book 2011Latest edition and curators will be given on new vectors of creative and artistic coded and cultures departed from digital media related art projects and observation models on the intersection of disciplines like Art, Science, Technology and Design..
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Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Artvery different from those in traditional art. Often it is not even clear if a work—a network project with public participation, for example—is to be considered art or not. Still, the definition of media art—although it can never be clear cut-seems to be bound by the traditional Western paradigm of art.
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Coded Cultures. New Creative Practices out of Diversitycultural industries, this movement has not been able to grasp the complex state of the art in which new innovative operations are being pushed by creative and artistic modes of delineation. In fact the involved inventors are becoming ≫disoriented≪ within the parameters of these unstable policies. Be
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