Titlebook: Child Labor in the British Victorian Entertainment Industry; 1875–1914 Dyan Colclough Book 2016 The Editor(s) (if applicable) and The Autho

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Neutropenia

Zweifaktorielle Varianzanalyse,m performing, it would “interfere with hundreds of operas and plays.”. The last 25 years of the nineteenth century saw the widespread employment and promotion of theatrical children. This fervent application of child labor points to its marked contribution to the commercial success of the entertainm

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M. P. Merrick,K. A. Iyer,T. L. Beck up these two extensive historiographies. This work helps to address the consequences of omissions that compromise our full understanding of theatre and childhood history. The book also highlights a need for revision of some past conclusions, which have been reached without taking account of a subst

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Introduction,ldren. It also became clear that the . child becomes lost within the artistic priorities of writers and directors allied to audience engagement with the . portrayed. My initial intention was to undertake a contemporary study but before embarking on work that focused on modern-day performers I sought

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Raw Material, Labor, and the Finished Product: The Theatrical Child as Employee,m performing, it would “interfere with hundreds of operas and plays.”. The last 25 years of the nineteenth century saw the widespread employment and promotion of theatrical children. This fervent application of child labor points to its marked contribution to the commercial success of the entertainm

FAST

Laboring Fairies: The Theatrical Child as a Family Resource and a Resourceful Child,espread child labor.”. This may well have been the case in older established industries, but it was not so with regard to children employed as entertainers. The commercial provision of performance-based leisure for the masses was in its relative infancy during the formative period of protective chil

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