Titlebook: Child Labor in the British Victorian Entertainment Industry; 1875–1914 Dyan Colclough Book 2016 The Editor(s) (if applicable) and The Autho

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Performing Their Duty: Child Savers and the Theatrical Child,ho made up the audience. A belief that employment of theatrical child labor was both desirable and necessary was the uniting factor for these groups. The hunger to be entertained by children was encouraged and fed by the reciprocal relationship between contemporary culture and the theatre. The indus

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Palgrave Studies in Theatre and Performance Historyhttp://image.papertrans.cn/c/image/225043.jpg

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Zweifaktorielle Varianzanalyse,ion. Producers straddled the worlds of trade and leisure and were simultaneously answerable to their backers and to the paying public. Although there was much potential for profit, fortunes might just as easily be lost. Success was allied to securing the majority audience. Industry bosses needed to

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https://doi.org/10.1007/978-3-662-09633-8needs of children. Within this period, a spate of legislations on education was implemented during the third quarter of the century. New laws around schooling were key in helping to define the Victorian perception of children and their place in society.. The domain of the child was increasingly seen

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