Titlebook: Child Labor in the British Victorian Entertainment Industry; 1875–1914 Dyan Colclough Book 2016 The Editor(s) (if applicable) and The Autho

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吹牛需要艺术

M. P. Merrick,K. A. Iyer,T. L. Beckoyment of child performers was at its height at a time when child labor was seen legislatively and socially as neither necessary nor desirable. The deduction is that this group of children were left outside the protective umbrella which covered other child workers because their labor was not recogni

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Book 2016Child labor greatly contributed to the cultural and economic success of the British Victorian theatrical industry. This book highlights the complexities of the battle for child labor laws, the arguments for the needs of the theatre industry, and the weight of opposition that confronted any attempt to control employers.   

ETCH

https://doi.org/10.1057/9781137496034Victorian Theatre; Victorian Entertainment; Child Entertainers; Child Labor; theatre management; shadow w

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The Editor(s) (if applicable) and The Author(s) 2016

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defenses

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Book 2014mathematics and physics..Lawvere‘s axiomatization of topos theory and Voevodsky‘s axiomatization of higher homotopy theory exemplify a new way of axiomatic theory building, which goes beyond the classical Hilbert-style Axiomatic Method. The new notion of Axiomatic Method that emerges in categorical

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arthroscopy

J. Krieg,I.-T. Bäckert-Sifeddine,L. Kiesel its creative potential. Following Deleuze, it is pedagogy, she argues, that must educate us “in becoming able to feel, to know, and to conceive: that is to create concepts” (Semetsky, 2008a, pp. vii–viii). Deleuze and Guattari describe these concepts as bricks: material blocks of sensations which c