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Titlebook: Brand Machines, Sensory Media and Calculative Culture; Sven Brodmerkel,Nicholas Carah Book 2016 The Editor(s) (if applicable) and The Auth

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发表于 2025-3-21 16:48:48 | 显示全部楼层 |阅读模式
期刊全称Brand Machines, Sensory Media and Calculative Culture
影响因子2023Sven Brodmerkel,Nicholas Carah
视频video
发行地址Offers original insights into the contemporary strategies and affects of creating brand impact.Timely account of how digitisation, by creating a new sensory as well as techno-cultural environment, is
图书封面Titlebook: Brand Machines, Sensory Media and Calculative Culture;  Sven Brodmerkel,Nicholas Carah Book 2016 The Editor(s) (if applicable) and The Auth
影响因子This study argues that the defining feature of contemporary advertising is the interconnectedness between consumer participation and calculative media platforms. It critically investigates how audience participation unfolds in an algorithmic media infrastructure in which brands develop media devices to codify, process and modulate human capacities and actions..With the shift from a broadcast to an interactive media system, advertisers have reinvented themselves as the strategic interface between computational media systems and the lived experience and living bodies of consumers. Where once advertising relied predominantly on symbolic appeals to affect consumers, it now centres on the use of computational devices that codify, monitor, analyse and control their behaviours. Advertisers have worked to stimulate and harness consumer participation for several generations. Consumers undertook the productive work of making brands a part of their cultural identities and practices. With the emergence of a computational mode of advertising consumer participation extends beyond the expressive activity of creating and circulating meaning. It now involves making the lived experience and the livi
Pindex Book 2016
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Instructions: Producing Participation,singly characterised by the incorporation of audience participation into its mode of operation. The chapter features a rich account of the ways the participatory media environment has affected advertising practitioners’ notions of creativity and consumer agency. It then identifies and describes the
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Impulses: Engineering Behaviour,requirements of the participation paradigm described in Chapter 2. The chapter argues that the advertising industry uses central claims made by the neurosciences and behavioural economics regarding humans’ inherently cognitively flawed nature for simultaneously promoting advertising as a valuable ‘u
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Infrastructure: Orchestrating Action,ands. It advances the literature on branding, brand value creation and audience labour by illustrating how this emerging mode of branding makes the participating audience productive beyond just performing the ‘work of watching’ or making themselves available for surveillance (‘the work of being watc
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ng a new sensory as well as techno-cultural environment, is This study argues that the defining feature of contemporary advertising is the interconnectedness between consumer participation and calculative media platforms. It critically investigates how audience participation unfolds in an algorithmi
发表于 2025-3-23 02:48:02 | 显示全部楼层
https://doi.org/10.1007/978-3-662-54231-6t do not so much rely on the audience believing in certain representations and ideological appeals. Rather, brands create value by governing technological infrastructures that allow for the observation, modulation and calculative calibration of action.
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