Titlebook: Authority, Gender and Emotions in Late Medieval and Early Modern England; Susan Broomhall Book 2015 The Editor(s) (if applicable) and The

喃喃而言

,From Letters to Loyalty: Aline la Despenser and the Meaning(s) of a Noblewoman’s Correspondence in as addressed — in ways uniquely reflective of the relationship between him and its sender, the countess. Close reading of Aline’s letter thus reveals how all senders of letters to royal officers might manipulate affective rhetoric to achieve their political, legal, or fiscal aims: it is a case study

Corral

流动性

St Richard Scrope, the Devout Widow, and the Feast of Corpus Christi: Exploring Emotions, Gender, aposite bank from the mercantile heart of the city, was home to numbers of tanners and dyers underpinning the city’s leather and textile industries.. Numbers of these craft groups were involved in the emerging Corpus Christi Play first documented in 1386–87.

Medley

Anxieties with Political and Social Order in Fifteenth-Century England, escalating military and political intrigue was felt most strongly inside royal and aristocratic circles, other social groups, particularly England’s middling ranks of merchants and gentry, responded in their own ways to anxieties and disorder in political rule. Manuscripts and print offered a tool

Insensate

Raising Girls and Boys: Fear, Awe, and Dread in the Early Modern Household, But, unlike today, fear and dread played a significant role in the ideas and practices of child- rearing in the European past. For children, learning to revere and obey parents was the first lesson in how to submit to authority. In normative visions of household emotions, the desired attitude of ch

expound

Ptosis

从容

A Subject for Love in ,ery name evokes the acme of the English language’, as Seth Lerer asserts in . (2013). Indeed, Shakespeare is the single most cited authority in the second edition of the . (1989) with over 33,000 references to his works.. According to Lerer, ‘He coined … six thousand new words’. Certainly the roots

harmony

,Emotions, Gender Expectations, and the Social Role of Chancery, 1550–1650, almost as a metonym for people who were jealous and obsessive and deeply interfering. And then there is . The trundling and cripplingly expensive case over a disputed will, which Charles Dickens named ., played to a knowing readership, though, ironically, the court so hated by the Victorians had a

睨视

Die Spielleute und das Volksepos,as addressed — in ways uniquely reflective of the relationship between him and its sender, the countess. Close reading of Aline’s letter thus reveals how all senders of letters to royal officers might manipulate affective rhetoric to achieve their political, legal, or fiscal aims: it is a case study