Titlebook: Authority, Gender and Emotions in Late Medieval and Early Modern England; Susan Broomhall Book 2015 The Editor(s) (if applicable) and The

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,Emotions, Gender Expectations, and the Social Role of Chancery, 1550–1650,e right at the centre of Robert Plutchik’s three-dimensional emotions wheel. Chancery never became well known for the positive basic emotion of joy.. Yet, . litigants must have experienced a happy outcome. All literary representations of Chancery have been overwhelmingly negative. Charlotte Smith‘s

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Book 2015stical governance, household rule, exercise of law and order, and creative agency, investigate how gender and emotions shaped the ways different individuals could assert or maintain authority, or indeed disrupt or provide alternatives to conventional practices of authority.

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2730-9479 d ecclesiastical governance, household rule, exercise of law and order, and creative agency, investigate how gender and emotions shaped the ways different individuals could assert or maintain authority, or indeed disrupt or provide alternatives to conventional practices of authority.978-1-137-53116-2Series ISSN 2730-9479 Series E-ISSN 2730-9487

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2730-9479 performances in medieval and early modern England. Authority is inherently relational it must be asserted over someone who allows or is forced to accept this dominance. The capacity to exercise authority is therefore a social and cultural act, one that is shaped by social identities such as gender a

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Book 2015es in medieval and early modern England. Authority is inherently relational it must be asserted over someone who allows or is forced to accept this dominance. The capacity to exercise authority is therefore a social and cultural act, one that is shaped by social identities such as gender and by soci

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