Titlebook: Audience Development and Cultural Policy; Steven Hadley Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 britain.cultural se

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黄瓜

Chapter 3: Audience Development,s marketing, audience development and cultural policy. The argument is made that audience development has come to be understood as a process of arts management. Issues with audience development from the fields of cultural economics and cultural politics are introduced, and questions are asked of the

媒介

Chapter 4: The Development of Practice: Two Dilemmas,as are discussed in this chapter: the dilemma of marketisation (managerialism, public sector management) which saw the formal adoption and development of arts marketing practice, and the dilemma of social inclusion, which saw the formal adoption and development of audience development practice. The

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Chapter 5: The Traditions of Audience Development,and practitioners. This chapter argues that this cohort was a ‘cultural management elite’ and outlines the group’s key characteristics, most specifically their capacity to iteratively deliver and develop audience development practice. The chapter then proceeds to outline and discuss the two traditio

GRAIN

Chapter 6: Characteristics of Audience Development,audience development identified in Chap. . and towards developing a discourse of practice. The chapter explores the issue of the conceptual ambiguity of audience development and argues that audience development remains in its ontological phase. The chapter then discusses how the two traditions gave

沙发

Chapter 7: Audience Development and Democracy: Third Dilemma, in patterns of cultural engagement. The chapter argues that this data has prompted a third dilemma and questions the impact of this dilemma both on the traditions identified in Chap. . and its wider implications for cultural policy. The research data discussed in this chapter highlights a significa

Ejaculate

Chapter 8: Conclusion,lture. To consider audience development is to put oneself at the centre of one of the most important tensions in publicly subsidised culture. The issue is perhaps not about whether culture and democracy are compatible, but rather how to conceive of that compatibility, about the reconciliation or bal

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连累

Gabler Kompakt-Lexikon Werbepraxisnsider this question, the chapter starts by defining cultural policy and the terminology of the democratisation of culture/cultural democracy. This section, alongside outlining the key debates within each position, also discusses issues of vested interest, the contested nature of the relationship be