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Titlebook: Staging Trauma; Bodies in Shadow Miriam Haughton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Trauma.Suffering.Psychologi

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楼主: Neogamist
发表于 2025-3-23 11:49:54 | 显示全部楼层
Book 2018e of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on ‘bodies in shadow‘ in twenty-first century performance: those who
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Containment: , (2011), Directed by Louise Lowe,ANU’s trademark ‘moments of communion’ created potent encounters for contemporary audiences and communities via site-specific, postdramatic and immersive staging strategies. . staged some of the bodies the Irish body politic worked hard to hide.
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Exile: , (2013), Directed by Teya Sepinuck,tions and outcomes for this production, from process to performance, is the potential for affect and transformation on the audience, as well as for affective and transformative experience for the performers while they share their personal histories.
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Book 2018holars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
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Introduction: Staging the Unknowable, the Unspeakable, the Unrepresentable,men in civilian life, potently confirms the hostilities dominating the everyday experience for women. It also tells that their experience is largely normalised and dismissed by national priorities, and consequently, becomes marginalised, or indeed ‘shadowed’ as this volume’s subtitle identifies, unt
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Violation: , (2000) by Marina Carr,erations if Sorrel is pregnant by the end of the play, as is hinted, ensuring the next generation will be as traumatised as this current one. Red Raftery, the father, both villain and victim, roams the fields torturing baby animals as he tortures his own young. Violence, torture, incest, abuse, humi
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