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Titlebook: Staging Trauma; Bodies in Shadow Miriam Haughton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Trauma.Suffering.Psychologi

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发表于 2025-3-21 16:55:04 | 显示全部楼层 |阅读模式
书目名称Staging Trauma
副标题Bodies in Shadow
编辑Miriam Haughton
视频video
概述Explores a range of performances in Ireland and the UK that engage with trauma and suffering.Focuses on figures who have previously been marginalised by dominant patriarchal theatrical and historical
丛书名称Contemporary Performance InterActions
图书封面Titlebook: Staging Trauma; Bodies in Shadow Miriam Haughton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Trauma.Suffering.Psychologi
描述This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on ‘bodies in shadow‘ in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
出版日期Book 2018
关键词Trauma; Suffering; Psychological violence; Contemporary theatre and performance; Traumatic narratives; St
版次1
doihttps://doi.org/10.1057/978-1-137-53663-1
isbn_ebook978-1-137-53663-1Series ISSN 2634-5870 Series E-ISSN 2634-5889
issn_series 2634-5870
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Miriam Haughton ‘This story has none of the subtle striving of the country priest, attempting to graft a rich tradition of liturgy and creed upon a tough upland stock; this is the struggle of a bitter casuistry picking its way between tact and truth.’1 I do not want to deny the latter description, but is not the f
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Miriam Haughton ‘This story has none of the subtle striving of the country priest, attempting to graft a rich tradition of liturgy and creed upon a tough upland stock; this is the struggle of a bitter casuistry picking its way between tact and truth.’1 I do not want to deny the latter description, but is not the f
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2634-5870 ginalised by dominant patriarchal theatrical and historical This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the
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