Titlebook: Spectral Readings; Towards a Gothic Geo Glennis Byron (Senior Lecturer in English Studies) Book 1999 Palgrave Macmillan, a division of Macm

CHARY

书目名称Spectral Readings影响因子(影响力)




书目名称Spectral Readings影响因子(影响力)学科排名




书目名称Spectral Readings网络公开度




书目名称Spectral Readings网络公开度学科排名




书目名称Spectral Readings被引频次




书目名称Spectral Readings被引频次学科排名




书目名称Spectral Readings年度引用




书目名称Spectral Readings年度引用学科排名




书目名称Spectral Readings读者反馈




书目名称Spectral Readings读者反馈学科排名

故意钓到白杨

Book 1999ers to the crucial question: What is Gothic? The collection begins by addressing general issues about the locations and structure of Gothic; this is followed by various considerations of Gothic as a specific historical phenomenon, linked with specific aspects of British, American, and European socie

鉴赏家

Lost cities: London’s apocalypseogether of the apocalyptic with other myths of the late nineteenth century, Empire and Decadence among them, and also to look specifically at the function of Gothic in the dense mythical clusters of the ..

胆小懦夫

hauteur

Book 1999ollowed by various considerations of Gothic as a specific historical phenomenon, linked with specific aspects of British, American, and European society; and, finally, by an exploration of Gothic writing during recent decades.

枯萎将要

猜忌

的’

Introduction: of apparitionsess of psychological transmission down the generations. There are, the theorists of postmodernism assert, perhaps . simulacra; entranced by the flickering glow of the new technologies, our bodies vanish from our apprehension, leaving only media constructs, apparitions of desire, hungry . whose appetite is matched only by their impotence.

ineptitude

The Gothic production of the unconsciousrticular, are named and their theories employed in the classification and exorcism of the vampiric threat, unconscious cerebration remains in the background, contemporary scientific furniture in a novel obsessed with the limits of . modernity. Unremarkable, it is as if the unconscious has always been there.

Lymphocyte

Heiner Müller’s Medea: towards a paradigm for the contemporary Gothic anatomy ‘Interface’. His creative work for the theatre stretches from the ‘Production Plays’ of the 1950s through the reworkings (‘copies’) of other people’s plays (including the two . volumes) of the 1970s to perhaps his most familiar plays in the Anglophonic world: . (1977) and . (1982), to which I shall later return.