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Titlebook: Sounds from Within: Phenomenology and Practice; Paulo C. Chagas,Jiayue Cecilia Wu Book 2021 The Editor(s) (if applicable) and The Author(s

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书目名称Sounds from Within: Phenomenology and Practice
编辑Paulo C. Chagas,Jiayue Cecilia Wu
视频video
概述Contains texts by living artists, performers, and composers who write about their own practice.Presents a wealth of cultural and technological perspectives on music phenomenology studies.Shares insigh
丛书名称Numanities - Arts and Humanities in Progress
图书封面Titlebook: Sounds from Within: Phenomenology and Practice;  Paulo C. Chagas,Jiayue Cecilia Wu Book 2021 The Editor(s) (if applicable) and The Author(s
描述.This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues. .This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts..
出版日期Book 2021
关键词Sound; Phenomenology; Network music; Meditation; Sonic Art; Technology
版次1
doihttps://doi.org/10.1007/978-3-030-72507-5
isbn_softcover978-3-030-72509-9
isbn_ebook978-3-030-72507-5Series ISSN 2510-442X Series E-ISSN 2510-4438
issn_series 2510-442X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Sound, Truth, and Paradigm, hermeneutic view of the world, to a thinking shaped by cybernetics and information theory. The automaticity of music apparatuses is viewed through several lenses, including the way that the electroacoustic paradigm inaugurated the era of music as a torture apparatus. Flusser’s notion of the telemat
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,In Quest of the Sonic Self: Sound as Expression of the Performer’s Individuality,ship between a sound and the performer’s gestures as its source and causal agent. The chapter presents preliminary findings from the project “Perception of Expression in Musical Performance: Cross-Cultural Aspects and the Lithuanian Case”, No. S-MIP-19/49 / F16-503, funded by the Lithuanian Research
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Sonic Imagination: Body, Visual Mental Imagery, and Nomadism,udience’s perception of visual mental imagery observes whether—and if so, which—common patterns emerge from their listening to five sonic artworks. Two artworks are inspired by, and are the result of, the outcomes of such investigation. An analysis of the experience of an artwork necessarily include
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